+ info: Hal Fisher
Since 1977—when the first exhibition of the this series took place in San Francisco—Gay Semiotics series has been recognized as a unique and pioneering analysis of a gay historical vernacular and as an irreverent appropriation of structuralist theory. Taken directly from Fischer’s personal experiences living in the vibrant gay communities of San Francisco’s Castro and Haight-Ashbury districts, Fischer’s photo-text deconstructions are laced with humor and a formal photographic esthetic indebted as much to textbook and advertising images as it is to the photographs of August Sander.
