Expresiones audiovisuales

The author brings together ideas from film studies, psychoanalysis and philosophy for a study of key films in the career of Ingmar Bergman. Drawing on ideas from Melanie Klein and Jean-Paul Sartre, films ranging from Summer with Monika to Hour of the Wolf are examined in detail. The book argues that Bergman, Klein and Sartre are connected through their central focus on imagination, and that this shared preoccupation represents a challenging alternative to dominant theories in the analysis of film and culture.

In a high-pressure, fast-paced environment, television professionals are focused on the production and coherence of their broadcasts, as well as their responsibility to their audience (both in terms of professional commitment to the viewers and consideration of their evolving tastes). They can rarely take the time to reflect on how their choices of texts and images will be interpreted outside of these more immediate broadcast imperatives; and how their productions are understood and analysed by other professionals, for instance academics, at a different pace and away from the process itself. Such television analysts study the final product and attribute intention with often limited direct knowledge and appreciation of the production processes, its practicalities and imperatives. This book offers the possibility of a reflection on television for and from both parties, as well as an insight into the final product and the choices made during its preparation. This book will be of great interest to students and academics in both linguistics and media, as well as professionals in the broadcasting industry.

Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's π, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality.

Aborda la producción de programas desde el punto de vista industrial, organizativo y comercial para servir como guía a estudiante y a todos aquellos interesados en el mundo de la televisión.

Este manual te explica los conceptos claves para analizar una trama de un guion audiovisual.

In recent years numerous films, television series, comic books, graphic novels and video games have featured time travel narratives, with characters jumping backward, forward and laterally through time. No rules govern time travel in these stories. Some characters move by machine, some by magic, others by unexplained means. Sometime travelers can alter the timeline, while others are prevented from causing temporal aberrations. The fluid forms of imagined time travel have fascinated audiences and prompted debate since at least the 19th century.

What is behind our fascination with time travel? What does it mean to be out of one’s own era? How do different media tell these stories and what does this reveal about the media’s relationship to time? This collection of new essays—the first to address time travel across a range of media—answers these questions by locating time travel narratives within their cultural, historical and philosophical contexts. Texts discussed include Doctor Who, The Terminator, The Georgian House, Save the Date, Back to the Future, Inception, Source Code and others.

La proximidad a veces indistinguible entre cultura de vanguardia y cultura comercial en los medios de masas -revistas graficas y carteles antes, espacios digitales hoy- sigue siendo una de las grandes cuestiones de la cultura moderna. Pocos intelectuales supieron entenderlo tan bien como Pere Catala Pic en estos ensayos de los años treinta.

¡Únete a la revolución en movimiento! Cuando la inspiración y el contenido técnico se dan la mano, tenemos todo preparado para empezar a crear. Esta guía ayuda a dotar de calidad profesional los vídeos realizados con GoPro y está llena de bellas imágenes y enlaces QR a vídeos grabados por deportistas profesionales, cineastas, y creativos usuarios de GoPro de todo el mundo.Abarca el arte y la técnica de la creación avanzada de vídeos desde la perspectiva única del equipo de GoPro. Ofrece un recorrido extraordinario por la historia de GoPro, los diferentes modelos de cámaras, modos de grabación, soportes estándar y montajes experimentales, los principios de grabación y las técnicas de edición.Está dirigido tanto a profesionales de la filmación como a deportistas o aficionados entusiastas. Todos ellos encontrarán la inspiración e instrucciones necesarias para capturar imágenes y crear vídeos capaces de atrapar al espectador. " Este libro es una ventana directa al pensamiento creativo de Bradford y Brandon y resume años de experiencia y conocimiento. Espero que también se convierta en la chispa que enciende la inspiración " . Nick Woodman, Fundador de GoPro.Bradford Schmidt y Brandon Thompson son miembros fundadores del equipo del Media Department de GoPro. Forman un gran equipo y trabajan juntos para contar innumerables historias a través de las cámaras GoPro, y por el camino han contribuido a hacer de la compañía lo que es hoy en día.

How do the practices of philosophy and film converge in ethical and political theory? Untimely Affects is an ethical and aesthetic interweaving of Deleuzian philosophy and close film analysis to discern how thought persists productively after the horrors of World War II. In the first extensive analysis of Chris Marker and Alain Resnais' films, Nadine Boljkovac draws on concepts and images that interrogate 'what we are now living through', in the words of Klossowski's Nietzsche. Mindful of the seen and unseen 'that quicken the heart' (Marker), this book of film-philosophy discerns new and deeply ethical life-affirming possibilities through its weave of cine-philosophy. As such, this book speaks directly to essences of cinema, thought and life through creative untimeliness and the idea of the 'ever new'.

This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore main trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterises a national or a European identity respectively.