Periodismo

A lo largo de estas páginas, María Angulo describe las interioridades de algunas de las corrientes más apasionantes y comprometidas del llamado periodismo de inmersión: aquel que profundiza en los en­tornos y las realidades sociales, dialoga con la literatura en el géne­ro de la crónica, invita al lector a viajes sorprendentes, e incluso se aventura en el periodismo encubierto y su versión más gamberra, el gonzo que inventó en los sesenta Hunter S. Thompson. Pero de una manera muy especial, este libro se sumerge en el periodismo hecho por mujeres en un mundo que nació masculino. Repasa y destaca la obra del importante conjunto de mujeres que han derribado barreras desde los albores del periodismo, como Nellie Bly, hasta las que hoy día escriben en primera persona sobre sus vivencias, como la peruana Gabriela Wiener o la propia María Angulo.

Esta investigación es la fotografía de un momento en el cambiante y vertiginoso mundo del periodismo digital peruano. María Mendoza Michilot captura, en un ejercicio contra el tiempo, las vicisitudes de diez empresas periodísticas en su incursión a internet, donde alumbraron un producto distinto, innovador, hipertextual, multimediático e interactivo.

Este libro narra un viaje al centro de las redacciones web entre los años 2112 y 2013 —una época de cambios, previa a la convergencia de las plataformas convencionales y virtuales de la prensa limeña—, y reconoce sus recursos, el tratamiento que hacen de la noticia y el perfil de sus periodistas.

El acercamiento a procesos y experiencias permite comprender por qué el periodismo online es la revolución de los últimos treinta años en el Perú y por qué muchas de sus fortalezas y debilidades deben hallarse en el periodismo offline, a cuya sombra ha crecido y evolucionado.

Periodismo Cómic. Una historia del género desde los pioneros a Joe Sacco , se acerca a un objeto de estudio diferente, innovador y único, que desborda el habitual marco teórico-conceptual de los géneros periodísticos.
Periodismo Cómic es un trabajo pionero que profundiza en la interrelación de periodismo y cómic, nos acerca al corazón de su origen y de su posterior desarrollo, y nos sitúa en el día de hoy, en el que este nuevo género periodístico nos ayudará a entender la realidad con un nuevo lenguaje.
El periodismo cómic utiliza las rutinas, herramientas y códigos propios del periodismo —dejando de lado la inmediatez y lo noticioso— combinados con la plasticidad, el impacto de la puesta en página y la planificación documental audiovisual propios del cómic.
De entre los profesionales que cultivan el género, destaca sobre todos la figura del maltés Joe Sacco, a cuya obra Diego Matos dedica un buen número de páginas en las que analiza y describe su método de trabajo.
El periodismo cómic —o cómic-periodismo— es ya de facto una corriente creativo-informativa en pleno auge —en el marco del «periodismo transmediático»— con un lenguaje icónico-verbal propio y una particular sintaxis que obliga a una relectura de los géneros periodísticos tradicionales.
Los lectores, por su parte, acostumbrados a unos cómics de consumo ligero, se aproximan a este particular género con cautela, pero con creciente interés.
Bienvenidos al mundo del periodismo, en cómic.

Este ensayo, Periodismo Literario. El arte de contar historias, posa la mirada sobre la larga tradición periodística de relatar la realidad a través de historias, y pone sus cimientos en ese terreno de la escritura donde el periodismo no es sólo objetividad, ni la literatura sólo ficción.
Dialoga con figuras y textos representativos, teóricos y periodistas históricos y contemporáneos, para obtener las claves sobre cómo se crea ese tipo de periodismo que trasciende sus propios límites, logra perdurar en el tiempo y se graba en la mente de quienes lo leen.
Un libro necesario para entender la eclosión mundial del relato periodístico actual, su nutrida herencia histórica y su pertinencia como arma para la renovación del periodismo en la era digital.

Para David Vidal Castell —prologuista de esta obra— el autor «destila en estas páginas su amor por la palabra, su convicción sobre cuán confuso y bello es el estatuto epistemológico de lo real, pero sobre todo, su fe en la primacía del relato. Y todo ello no como un brindis nostálgico, sino como una creíble y necesaria propuesta para la innovación periodística.»

Las nuevas tecnologías hacen posible el aumento de la información, pero ha de ser cualitativa y no cuantitativa. Más información no significa necesariamente mejor información. Una persona no está más informada por estar conectada a Internet las 24 horas del día, leer cinco diarios, escuchar múltiples emisoras de radio o conectar con distintos canales de televisión, sino cuando es capaz de interpretar la información que recibe de manera crítica.

The book examines popular fiction columns, a dominant feature in Kenyan newspapers, published in the twentieth century and examines their historical and cultural impact on Kenyan politics. The book interrogates how popular cultural forms such as popular fiction engage with and subject the polity to constant critique through informal but widely recognized cultural forms of censure. The book further explores the ways we see and experience how the African subaltern, through the everyday, negotiate their rights and obligations with the self, society and the state. Through these columns and their writers, the book examines the tensions that characterize such relationships, how the formal and informal interpenetrate, how the past and present are reconciled, and how the local and transnational collide but also collude in the making of the Kenyan identity.

The Portuguese media sector suffered important changes in these recent decades. In fact, there are profound changes in the Media Industry, especially the concentration of markets, the anchoring in technologies and the adoption of marketing management practices. Equally important are the trends to a greater guidance for cost rationalization and demand for profitability, as well as a progressive opening to foreign investment.

In this book, one analyzes the trends mentioned above, especially the causes and effects associated with the creation of Media groups strongly integrated horizontally, vertically and diagonally. The formation of large enterprise groups in the Portuguese market is the central object of study, but the European framework (economic and political) will be a permanent reference point.

The study which we echo here, has resulted from a route which sought to answer two big questions: what kind of content does the regional press produce in the context of cyber journalism? What are the factors that determine the production routines of ciberjournalism in the regional press? Although the goal was to search the unknown, trying to answer the questions raised, there were some expectations as a result of the studies on cyberjournalism, regional press and journalism of proximity. So, it was expected that the news was the most frequent content in the cibermeans of the regional press -mainly due to transposition from the traditional means – and that the tradition of paper production, human resources and time were the factors that would most determine the cyber journalistic production routines. What is presented in this book is the result of a proposal to frame cyberjournalism while branch of journalism and to study the production routines of some of the journalists of the regional press in Portugal for the Internet. This objective was accomplished by updating, analysis and discussion of the main theoretical production on cyberjournalism, production routines, regional press and journalism of proximity. The survey on regional cibernewspapers that are published more regularly, in their paper versions, trying to understand their evolution; and the in-depth study of the ciberjournalistic production routines in the newsrooms of three of the main Portuguese regional newspapers, seeking to understand what determines them. From there we intended to try to describe the adoption process of the Internet by the Portuguese regional press and the creation of cibernewspapers; identify the ciberjournalistic production existing there; observe the journalists’ experience regarding these routines; identify the resources involved; characterize the cyberjournalists of proximity (if they existed); meet the newsrooms contexts that adopted the Internet and cyberjournalism; understand what determines the cyberjournalistic routines production in the regional press. To this end, the database of the Regulatory Authority for the Media (ERC) was used and own researches were developed, so as to be possible to identify the regional newspapers published more regularly by traditional means (daily to weekly); the study Bareme Regional Press was also applied (Bareme, 2110), from which the three districts with more audience were identified: Castelo Branco (74.7%), Santarém (73.4%) and Leiria (70.1%). For each one of these territories, it was possible to determine 1) the newspaper with more audience, 2) the newspaper that presented regular production in the respective cybermean and also 3) that the three final choices could represent different kinds of property. So, we got to the names of the newspapers Reconquista, O Mirante and Região de Leiria, respectively – all with weekly periodicity.

This book provides readers and researchers with a critical examination of mass shootings as told by the media, offering research-based, factual answers to oft-asked questions and investigating common myths about these tragic events. * Tackles common misconceptions about mass shootings perpetrated by and through the media and provides information that grounds the realities of such events in empirical evidence * Explores the history of mass shootings, both before and after the infamous 1999 Columbine High School event and shootings that occurred in and out of schools * Addresses common myths associated with mass shooting events by the media, such as how often and where they occur and the absence of any warning signs * Helps readers understand the realities of these events, including their international reach, the potential warning signs, and how evidence associated with the events can provide clues into why they occurred.

It is never very obvious to spectators of the newspaper business just why it is that the industry has suffered so badly in recent years. Most ascribe the reasons to the arrival of the Internet in all its forms when, in truth, most of its problems were created by the newspaper managements themselves, either by weak management in the control of its environment, by a serious lack of foresight in looking to the future, or by assuming that change, if it were to come, would be at the slow pace of past change. The magisterial attitudes of most newspaper managements served to engender a growing resentment particularly among the advertisers who were forced to pay increased rates to enable the cover prices of the publications to be held down. The British Newspaper Industry sets out to distinguish the newspaper industry from the generality of single product organisations and to provide tailored solutions to its problems by drawing on a variety of techniques and practices successfully used in other industries.