«Post TV – Debatten zum Wandel des Fernsehens», MORSCH, Thomas; FOERSTER, Lukas; PERNECZKY, Nikolaus (Eds.) (2015)

 

Expresiones audiovisualesLibros

What does it mean to produce, broadcast, and watch TV today? Television is currently subject to massive economic, structural, institutional, aesthetic, and technological changes, which can be seen primarily in American television: the shift in this medium is especially visible in TV series and their aesthetics. This volume features contributions from the American discussion of television and series in a post-network, post-broadcast, and post-media age, and show: the definition of television is more negotiable than ever.

«Terror und Propaganda. Prolegomena zu einer Analytischen Medienwissenschaft», PETERSEN, Christer (2015)

 

LibrosTeorías de la comunicación y metodología

How can discourses about politically motivated violence be analyzed? Christer Petersen presents a perspective on the investigation of the connection between political terror and the propaganda of its mass media distribution. He develops a formal discourse analysis which enables the precise description of Media Studies objects by means of an applied logic. Methodologically, the first decisive steps are made – within the framework of a self-reflexive application of formal logic for the analysis of discourses of violence – toward a new Media Studies discipline, and the prolegomena for an Analytical Media Studies is laid out.

«Öffentlichkeiten und gesellschaftliche Aushandlungsprozesse. Theoretische Perspektiven und empirische Befunde», KLAUS, Elisabeth; DRÜEKE, Ricarda (Eds.) (2015)

 

LibrosSociología de la comunicación

How relevant is the three-tiered model of public sphere for the theory and empirical analysis of communication studies research on public spheres? The contributions to this volume deal with women's and feminist public spheres from a historical perspective, reflect the effects of political public spheres, and discuss the relation between private and public matters on the internet. Furthermore, the three-tiered model is put into the context of participatory and deliberate public sphere models, and further developments are proposed.

«Wissenschaftstheorie der Kommunikationswissenschaft», STEININGER, Christian; HUMMEL, Roman (2015)

 

LibrosTeorías de la comunicación y metodología

Based on a historical introduction to the philosophy of science, the authors present a theory of communication science. They draw upon scientific theory to analyze case examples from media sociology and media economics. Thus, they elucidate concepts, specialized terminology, and current theoretical trends in communication science.

«Engaged Journalism. Connecting with Digitally Empowered News Audiences», BATSELL, Jake (2015)

 

LibrosPeriodismo

Engaged Journalism explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction.

Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.

«Holocaust Cinema in the Twenty-First Century. Images, Memory, and the Ethics of Representation», BAYER, Gerd Bayer; KOBRYNSKYY, Oleksandr (Eds.) (2015)

 

Comunicación y culturaLibros

In the first fifteen years of the twenty-first century, a large number of films were produced in Europe, Israel, the United States, and elsewhere addressing the historical reality and the legacy of the Holocaust. Contemporary Holocaust cinema exists at the intersection of national cultural traditions, aesthetic conventions, and the inner logic of popular forms of entertainment. It also reacts to developments in both fiction and documentary films following the innovations of a postmodern aesthetic. With the number of witnesses to the atrocities of Nazi Germany dwindling, medialized representations of the Holocaust take on greater cultural significance. At the same time, visual responses to the task of keeping memories alive have to readjust their value systems and reconsider their artistic choices.

Both established directors and a new generation of filmmakers have tackled the ethically difficult task of finding a visual language to represent the past that is also relatable to viewers. Both geographical and spatial principles of Holocaust memory are frequently addressed in original ways. Another development concentrates on perpetrator figures, adding questions related to guilt and memory. Covering such diverse topics, this volume brings together scholars from cultural studies, literary studies, and film studies. Their analyses of twenty-first-century Holocaust films venture across national and linguistic boundaries and make visible various formal and intertextual relationships within the substantial body of Holocaust cinema.

«Remediating Transcultural Memory. Documentary Filmmaking as Archival Intervention», BRUNOW, Dagmar (2015)

 

Comunicación y culturaLibros

The impact of digital global media, geopolitical changes and migration demands new theorizations within memory studies. Despite the growing field of media memory studies, the impact from film and media studies has been scarce within memory studies. This unique study offers new theorizations of three crucial concepts for media memory studies: remediation, transculturality and the archive.
This book takes a closer look at the media specificity of archival footage and how it is adapted, translated and appropriated. In its original approach this work reflects upon the role of documentary film images for the construction of memory. By merging film and media studies with memory studies the work offers multiple theoretical and methodological approaches for everyone interested in the heritage of audiovisual media: film and media scholars, memory scholars, historians, art historians, social scientists, librarians or archivists, curators and festival programmers alike.

«Digital Culture & Society Vol. 1, Issue 1 – Digital Material/ism», REICHERT, Ramón; RICHTERICH, Annika; ABEND, Pablo; FUCHS, Mathias; WENZ, Karin (Eds.) (2015)

 

LibrosTeorías de la comunicación y metodología

»Digital Culture & Society« is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for critical analysis and inquiry into digital media theory. The journal provides a venue for publication for interdisciplinary research approaches, contemporary theory developments and methodological innovation in digital media studies. It invites reflection on how culture unfolds through the use of digital technology, and how it conversely influences the development of digital technology itself.
The inaugural issue »Digital Material/ism« presents methodological and theoretical insights into digital materiality and materialism.

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