«Architecture, Materiality and Society: Connecting Sociology of Architecture with Science and Technology Studies», MÜLLER, Anna-Lisa; REICHMANN, Werner (Eds.) (2015)

 

LibrosSociología de la comunicación

This collection focuses on the interrelation of architecture and society. It examines the extent to which the insights of science and technology studies can be used to analyse the role of architecture in and for social life. The book's case studies deal with various aspects of social life: ethics, neighbourhood life, aging, perceptions and interpretations of the built environment, participation in design processes, interaction with and the adaptation of architecture.

Architecture, Materiality and Society examines the question of whether architecture – and thus materiality as a whole – has agency. The book concludes with a thorough analysis of studies carried out so far on the interdependence of architecture and society, both from the field of science and technology studies and urban studies. Finally, it proposes a theoretical and methodological approach on how to research architecture's agency within society.

«Transcultural Communication», HEPP, Andreas (2015)

 

Comunicación y culturaLibros

In Transcultural Communication, Andreas Hepp provides an accessible and engaging introduction to the exciting possibilities and inevitable challenges presented by the proliferation of transcultural communication in our mediatized world.

Includes examples of mediatization and transcultural communication from a variety of cultural contexts
Covers an array of different types of media, including mass media and digital media
Incorporates discussion of transcultural communication in media regulation, media production, media products and platforms, and media appropriation

«Social Media: Principles and Applications», SHELDON, Pavica (2015)

 

LibrosSociedad de la información

Social Media: Principles and Applications examines social media in interpersonal, mass-mediated, educational, organizational, and political settings. Social media technologies take on many different forms, including social network sites like Facebook and Twitter, blogs, wikis, online video and photo-sharing sites (e.g., Pinterest), rating and social bookmarking sites, and video/text chatting sites (e.g., Skype). Beginning with the principles of social media, Sheldon disassembles applications of social media in a variety of settings to understand who is using social media, how they develop meaningful relationships, and how they use social media during major events. Sheldon also delves into the political, educational, commercial, and privacy issues of social media use, making this an excellent resource for communication, psychology, and social media scholars.

«A New Kind of Public: Community, Solidarity, and Political Economy in New Deal Cinema, 19351948», CASSANO, Graham (2015)

 

Expresiones audiovisualesLibros

In 1936, director John Ford claimed to be making movies for a new kind of public that wanted more honest pictures. Graham Cassano s A New Kind of Public: Community, solidarity, and political economy in New Deal cinema, 19351948 argues that this new kind of public was forged in the fires of class struggle and economic calamity. Those struggles appeared in Hollywood productions, as the movies themselves tried to explain the causes and consequence of the Great Depression. Using the tools of critical Marxism and cultural theory, Cassano surveys Hollywood s political economic explanations and finds a field of symbolic struggle in which radical visions of solidarity and conflict competed with the dominant class ideology for the loyalty of this new audience.

«Comics and the World Wars: A Cultural Record», CHAPMAN, Jane; HOYLES, Anna; KERR, Andrew; SHERIF, Adam (2015)

 

Historia de la comunicaciónLibros

"Mining comics and cartoons as historical sources, this is an innovative, theoretically sophisticated study that crosses national and geographical boundaries. It makes a pioneering contribution to print, labour, gender and new cultural history, and the expanding field of humour studies, through a captivating series of case studies from both World Wars." – Bridget Griffen-Foley, Macquarie University, Australia "This study's focus on homefront and front-line comics from the two world wars brings welcome attention to texts generally ignored by scholars of history and comic art alike. Its argument for the significance of these largely overlooked comics as valuable source material opens the doors for further studies in these two fields and beyond." – Gene Kannenberg, Jr., Northwestern University, USA "This book establishes the significance of comics as a cultural record, with lesser-known and forgotten titles giving important insights into everyday lives and mentalities across the English-speaking world in times of war. Comics are an exciting addition to the repertoire of sources that inform commemorative activities in the 21st century as well as historical studies of the period." – Sarah Lloyd, Director of Everyday Lives in War, an AHRC-funded First World War Engagement Centre, UK "I found particular value in the close readings of comics of William Haselden, more obscure artists from the left wing press in America and Australia, and soldier artists from the trench papers. The authors tackle issues of gender representation and certainly Kathleen O'Brien's 'Wanda the War Girl' comic warrants closer attention." – Ian Gordon, National University of Singapore, Singapore

«Comics of Joe Sacco: Journalism in a Visual World», DUNN, Kevin C. (2015)

 

LibrosPeriodismo

The first book-length study of the acclaimed artist who brought journalistic reportage to comics Contributors: Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind Vågnes The Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his ground-breaking journalism Palestine (1993) and Safe Area to Gorade (2100), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I. First in the new series Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco's comics journalism critiques and employs the "standard of objectivity" in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important–and necessary–comics today, by one of the most acclaimed journalist-artists of our time. DANIEL WORDEN, Albuquerque, New Mexico, is associate professor of English at the University of New Mexico. He is the author of Masculine Style: The American West and Literary Modernism and the coeditor of Oil Culture.

«Death by Video Game: Tales of obsession from the virtual frontline», PARKIN, Simon (2015)

 

Expresiones audiovisualesLibros

Whether it's Space Invaders, Candy Crush Saga or Grand Theft Auto, video games draw us in and don't let go. In Taiwan, a spate of deaths at gaming cafés is raising a question: why is it that some of us are playing games beyond the limits of our physical wellbeing?

Death by Video Game uncovers the real stories behind our video game obsession. Along the way, award-winning journalist Simon Parkin meets the players and game developers at the frontline of virtual extremism, including the New York surgeon attempting to break the Donkey Kong world record; the Minecraft player three years into an epic journey towards the edge of the game's vast virtual world and the German hacker who risked prison to discover the secrets behind Half-Life 2.

Investigating the impact of video games on our lives, Death by Video Game will change the way we think about our virtual playgrounds.

«Millennial Fandom: Television Audiences in the Transmedia Age», STEIN, Louisa Ellen (2015)

 

Comunicación y culturaLibros

No longer has a niche or cult identity, fandom now coloured our notions of an expansive generational construct– the millennial generation. Like fans, millennials are frequently cast as active participants in media culture, spectators who expect opportunities to intervene, control, and create. At the same time, longstanding fears about fans' cultural unruliness manifest in rampant stories of millennials' technological overdependence and lack of moral boundaries. These conflicting narratives of entrepreneurial creativity and digital immorality operate to quell the growing threat represented by millennials' media agency. With fan activities becoming ever more visible on social media platforms including YouTube, Facebook, LiveJournal, Twitter, Polyvore, and Tumblr, the fan has become the avatar of our digital hopes and fears. In an ambitious study encompassing a wide range of media texts, including popular television series like Kyle XY, Glee, Gossip Girl, Veronica Mars, and Pretty Little Liars and online works like The Lizzie Bennet Diaries, as well as fan texts from blog posts and tweets to remix videos, YouTube posts, and imagesharing streams, author This generation–and the fans it represents–is actively transforming the media landscape into a dynamic, culturally transgressive space of collective authorship. Offering a rich and complex vision of the relationship between fandom and millennial culture, Millennial Fandom will interest fans, millennials, students, and scholars of contemporary media culture alike.

«Social Media and the Good Life: Do They Connect?», HERRING, Mark Y. (2015)

 

LibrosSociología de la comunicación

Social media has accelerated communication, expanded business horizons and connected millions of individuals who otherwise would never have met. But not everything social media touches turns to gold–much of it is brass. Social networking sites are used by scammers, criminals and sexual predators, and many people now self-diagnose illness based on misinformation shared online. Businesses make great claims about social media as a marketing tool but few show any real returns. We communicate through social media but are we really saying anything? Is social media doomed to be a conduit of narcissism or can it become a channel for responsible communication? Can social networking overcome its manifold violations of privacy? Must we sacrifice our identities in order to tweet or ""friend"" our associates? This book examines some of the legal and ethical issues surrounding social media, its impact on civil discourse and its role in suicides, murders and criminal enterprise.

«The Digital Coloniality of Power: Epistemic Disobedience in the Social Sciences and the Legitimacy of the Digital Age», STINGL, Alexander I. (2015)

 

LibrosSociología de la comunicación

Trouble is afoot in Digital Culture and Nerdland. These are, Alexander I. Stingl claims, not the engine of freedom and democracy that they once were hailed to be – this much is already clear in the wake of the snooping and surveillance crises that broke in recent years. Digitalization is but another version of the coloniality of power and being that has been at work for decades and centuries. He poses the question, whether Digital Age possess the legitimacy that 'digitalization' has claimed. His response is critically realistic, but he doesn't stop at a critique for criticism's sake. Inspired by the ideas of decolonial scholars, feminist science studies, current biological and neuro-cognitive research, and sociologists capable of reflection and self-criticism, Stingl attempts to 'break' the canvas of sociology and show that adding a third, decolonial dimension to the two-dimensional sociological imagination is indeed possible. He illustrates that it is possible that class-rooms, free speech on internet, and the inequalities in the production and distribution of a new form of social capital – digital cultural health care capital – can be subjected to a decolonial perspective along a sociological line of inquiry, if sociologists allow for relations with other disciplines and scholarship to be integrative conversations. The goal of this book is not to offer results or closed arguments but to create, instead, platforms for thinking further, opening new lines of inquiry, and to argue that it is not enough to identify problems or to attempt solve the problems with politics or best practice solutions. Instead, he proposes, we must learn to identify and make use of the opportunities that are produced by any problem. Stingl's conclusion is, in short, that a sociology that takes the decolonial challenge and critique seriously, can not be a sociological (sub)discipline or a sociology of (a) problem, but it must be a sociology of opportunities.

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